Japanese architecture is renowned for its minimalism and deep connection with nature. Staying true to this tradition, TOMOAKI UNO continuously challenges himself in every project, aiming to rediscover architecture. He approaches materials not merely as surface coverings but with an intent to understand their essence. While wood and concrete dominate his projects, he also embraces the timeless power of natural stone. His interest in and deep respect for traditional stone wall techniques play a crucial role in shaping his architectural philosophy. UNO expresses openness to working in culturally rich regions like Turkey, emphasizing that everything ultimately depends on the client.
How would you describe the influence of your childhood spent on construction sites in your decision to pursue architecture?
Since I was very young, I often went to construction sites with my father, who was a plasterer. There, I had many opportunities to watch various craftsmen at work. I think spending time with so many craftsmen helped me develop a habit of deeply understanding and empathising with them.
Could you elaborate on your philosophy of “unprecedented ordinary architecture”? How does this concept guide your projects?
I am deeply passionate about the joy of self-discovery and always have a strong belief in my own potential. That is why I refrain from reusing the same designs or details in my work. For me, it’s less about creating new architecture for the sake of being innovative and more about challenging myself with every project.
Japanese architecture is known for minimalism and its integration with nature. Which traditional elements of Japanese architecture stand out in your designs?
A sincere and honest attitude towards nature and natural materials.
We know that timber and concrete are prominent in your projects. Do you have a preference for the use of natural stone?
In which of your projects has natural stone been an important material? I don’t like using materials as mere surface finishes. When it comes to stone, I prefer true masonry construction, but in earthquake-prone Japan, this method comes with significant limitations. As a result, there are very few opportunities to create stone architecture in Japan. However, in ‘Takamine House,’ which was completed four years ago, I adopted a traditional Japanese stone masonry technique. By layering stone over a concrete structure, I was able to create an architectural form reminiscent of a pyramid.
What is your perspective on the role of natural stone in architecture?
What aesthetic or spiritual quality do you think stone brings to a structure? The true allure of stone lies in the timelessness it embodies. It transcends human history and connects us to the very origins of the Earth. This unique quality is irreplaceable, making stone an incredibly compelling material for me as I seek to create eternal life within architecture.
Do you plan to take on projects outside of Japan? Would you be interested in working on a project in a country like Turkey, which has a rich history and diverse architectural styles?
As of now, I don’t know what I can do, but it all depends on the client.
Do you have any observations or interests regarding traditional stone buildings or Ottoman architecture in Turkey?
I’m not very familiar with them, but whenever I see traditional Turkish architecture on TV or in magazines, I am always amazed by the craftsmen’s meticulous and patient work. I feel a deep sense of respect for them.
Can you share some of your most special projects made of natural stone, if any, in your collection?
Takamine Hous
+90 532 585 51 95
+90 532 585 51 95